A lot of this metaverse business sounds like what Ramon Llull was creating in the 13th century with his art of memory and combinatoric wheels. Admittedly, it was a single user space, but he was creating images in his mind and then combinatorically combining them with each other to create new external/imagined ideas, thoughts, and experiences.

It gets (a lot) complicated to see this without significant background reading and experience of what he was doing. (I think even Frances Yates misunderstood some of his intention in her magisterial tome.)

IndieWeb is doing some of what he imagined, but rather than doing it in our physical brains (memory), we’re doing together from website to website in a similar communal manner.

This post was originally published on Chris Aldrich

Link between Lullism and the Jesuits’ descent into the particular

Link between Lullism and the Jesuits’ descent into the particular
While reading The Art of Memory by Frances Yates, I ran across the phrase “descending from ‘generals’ to ‘specials’”and it reminded me of the Jesuit idea of “descending into the particular”.

Yates indicates, I think rightly, that this is:

a notion implicit in Lullism as it ascends and descends on the ladder of being [scala naturae] from specials to generals and from generals to specials. This terminology is specifically used of memory in Lull’s Liber ad memoriam confirmandam in which it is stated that memory is to be divided into specials and generals, the specials descending from the generals.

This seems like it is very closely associated with the Jesuit’s concept of “descending into the particular” (or the specials) within their teaching on thinking. (For those unfamiliar, I recall that Malcolm Gladwell has an interesting podcast episode within Revisionist History on this area of moral reasoning.)

Given that Raymond Lull (c. 1232 – c. 1315) has significant philosophical and religious sway in his lifetime, it is highly likely that the Jesuits (founded 1535) may have picked up the foundation of the concept from him. Yates writes this section in Chapter X, in relation to the ideas of memory with respect to Lullism which assuredly influenced Peter Ramus (1515-1572) and his ideas of memory.

I can’t help but think about why the Jesuits didn’t also include the idea of ascension into their philosophy? Perhaps some additional research into the topic will reveal some more direct associations. I think Yates’ link between Lullism and Ramism are pretty solid. I’d like to see some more direct evidence between Lullism and the Jesuits. I’d love to delve into the use of the art of memory within the Jesuit tradition as well.

The scala naturae or great chain of being has had a profound effect (not necessarily a positive one) on religion and modern culture. Far too many people are completely ignorant of what it is or what it entails, yet it underpins a huge swath of Western thought.

Miniature in an illuminated manuscript of Raymond Lull next to a ladder indicating the the levels of being
Scala Naturae or Ladder of Being in Breviculum ex artibus Raimundi Lulli electum – St. Peter perg. 92 [page 13 (5r)]

This post was originally published on Chris Aldrich

I’m not as well-versed in the history of educational technology as those like Audrey Watters, but after reading the opening of chapter 10 of The Art of Memory by Frances Yates, I’m prepared to call Pierre de La Ramée (aka Petrus or Peter Ramus) as the godfather of EdTech for his literal iconoclastic removal of the artificial memory from rhetoric and replacing it with his ‘dialectical order’.

To be clear, “Godfather of EdTech” is a perjorative.

This post was originally published on Chris Aldrich

Attributes in Paintings May Stem from Mnemotechnics Dating from Ancient Greece

Attributes in Paintings May Stem from Mnemotechnics Dating from Ancient Greece

As I delve further into the ancient history of mnemonics and mnemotechnics, I  strongly suspect that attributes in paintings (like those frequently seen in depictions of Christian saints) originally stem from memory techniques that date from Simonides of Ceos (Σιμωνίδης ὁ Κεῖος; c. 556 – 468 BCE) and potentially earlier by means of the oral tradition.

The National Gallery has a short little primer on paintings of saints and recognizing them by means of their attributes. As an example, in the painting below Saint Genevieve of Paris holds the candle which she miraculously relit. On the brooch at her neck are the alpha and omega signs. Saint Apollonia of Alexandria’s brooch shows pincers: she was tortured by having her teeth extracted.

Lucas Cranach the Elder, 1472 - 1553 Saints Genevieve and Apollonia 1506 Oil on lime, 120.5 x 63 cm Bought, 1987 NG6511.1 This painting is part of the group: 'The St Catherine Altarpiece: Reverses of Shutters' (NG6511.1-NG6511.2) http://www.nationalgallery.org.uk/paintings/NG6511.1
Lucas Cranach the Elder, 1472 – 1553
Saints Genevieve and Apollonia (1506) Oil on lime, 120.5 x 63 cm
Bought, 1987; NG6511.1
This painting is part of the group: ‘The St Catherine Altarpiece: Reverses of Shutters’ (NG6511.1-NG6511.2)
http://www.nationalgallery.org.uk/paintings/NG6511.1

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Attributes in Paintings May Stem from Mnemotechnics Dating from Ancient Greece was originally published on Chris Aldrich | Boffo Socko